Not An Exit: An Annual Short Fiction Project

I like writing short stories. And flash fiction.

I like writing speculative bits and pieces of terrifying nonsense.

I like writing the trials and tribulations of the human condition masquerading as fantasy.

I like writing random apocalyptic and dystopian one-offs.

I like challenging you, dear reader, and giving you strange things to think about.

At first I was just going to keep these stories in a file on my iPad and let them exist in the dark ether. But I really wanted people to read them.

Then I thought about publishing them individually, as I wrote and polished them. And while that was extremely satisfying, I didn’t feel like the publishing model I was using for my other fiction fit with these stories.

What I am going to do is this:

Every year, on Halloween, I am going to publish a short story collection. These collections will include all the random, stand alone short fiction I have written in the previous year.

In case you didn’t know already, all the poetry that I have self-published is free. The books in my paranormal werewolf series, The Slaughter Chronicles, are free. The books in my urban fantasy faerie series (when they come out) will be free.

But I’d like to charge 0.99 for these short story collections because, while The Slaughter Chronicles and The Heart of the Forest Cycle might not be your cup of tea, if you like speculative fiction there’s a good chance you’ll like these stories.

It’s not that they’re more “accessible” or “mainstream” than my other work, but they are the words that cast the widest net. They’re not as specialized–for lack of a better word–than my other fiction and thusly, I feel, more marketable.

So if you like short story collections and want a quick and quirky/slightly dark read, my stories are for you and if you end up liking them, please give my other fiction a try.

If you already like my werewolf series and my poetry and would like to give me some support, please consider purchasing my short story collection(s).

The project is going to be titled “NOT AN EXIT” and every year a new volume will come out. Each volume will be available for sale on every ebook publishing platform, including Amazon Kindle.

As the publication date comes closer I will release the contents list and samples for your enjoyment. As well as some behind the scenes writing shenanigans.

Thank you so much for reading my work and following me on this self-publishing journey.

And since you’re curious, here’s the cover for the first volume…

Ramshackle Houses and Southern Parables Found Poem

My awesome friend Kathy released not one but TWO poetry collections recently, and a piece of speculative fiction with an excerpt from her forthcoming novella, The Reaping. Grab your copy here!

I wrote a found poem using the end words of Kathy’s poem “Marriage” from Ramshackle Houses & Southern Parables.

Why can’t I write Part 2

So I just had an epiphany.

I was writing an email to a friend, I like to let her know what I’m working on even though sometimes I feel quite intrusive because she’s made of awesome and does all the awesome things (more on confidence and conversations with other creatives later). I wrote sometimes I get discouraged or find things hard because a project feels too big for me to handle. And then I thought about that.

Havoc’s Moon, my work in progress, feels too big for me to handle.

In a way, that’s kinda cool. I feel like I just got a positive diagnosis or something because I’ve identified something I can work with.

I’m not going to shorten my book. One of the things that made writing Past Life, my sci-fi novella, fun was its smallness. So I just need to figure out how to translate that into a longer thing.

I’ve got way more characters in The Slaughter Chronicles and many plot lines. Whenever I think about my story I feel like I’m looking at a huge world map, my scope is so wide I can’t see any of the topography clearly.

So now I’m going to work on zooming in.

New Editions with New Covers

One of the cool things about self-publishing is that if you aren’t happy with your work, especially your poetry, you can change it without having to argue with an editor or another publisher.

Graveyard and Twisted Myths had been out for a few years now and one of my writing goals back in the summer of 2017 was to pick my favorite poems from both collections and write a bilingual edition with Spanish versions of those poems and call it Martyrs and Other Creatures of the Abyss. In addition to the poems from Graveyard and Twisted Myths, I would publish and translate 10-20 new poems. Well, as 2018 rolled around a lot of my prose/fiction projects were taking up a huge chunk of my writing time and those 10-20 poems just didn’t get written. And then I had the idea that I wanted to translate ALL of my poetic works into Spanish, not just pick my favorites and discard the rest.

With that came the decision that all of my work thus far needed a serious overhaul.

Some of the poems from Graveyard were written back in 2007 and I’ve definitely changed as a person and a writer since then. Also, Riverkill was my grad school thesis and has been through several extreme transformations since 2012. More than anything, I wanted to make for myself an opportunity where I could say HI to my work again and see if any of my experiences in the last decade could deepen or enhance the conversation between the writer and the poems and if new creations could be born from them.

I haven’t made a lot of changes to the content. A few words here and there, a few lines added, others taken away. The biggest changes you will find with these collections are the titles, the order of the poems, the covers, and where you can find the collections now.

1. Graveyard and Twisted Myths are now combined into one edition titled LUPERCALIA (one of my favorite poems from the collection). Riverkill is now titled THE ECHO OF SOMETHING HITTING (a line from the text).

2. The order of the poems from Graveyard and Twisted Myths has been rearranged to make a more organic flow that blooms with the tone and theme of the title poem, Lupercalia. I want you to visit the places in my poems, see their fallen gods and never forget the value of love.

3. The covers! I had a lot of fun with this. As I now have a job that gives me more expendable income, I can have people design book covers for me and pay them. I got the cover for Lupercalia from https://thebookcoverdesigner.com/ at a very reasonable price with prompt and satisfying customer service. The new cover for The Echo of Something Hitting keeps the same skeletal structure of the previous cover but the title (obviously) and color schemes are different.