One of the cool things about self-publishing is that if you aren’t happy with your work, especially your poetry, you can change it without having to argue with an editor or another publisher.
Graveyard and Twisted Myths had been out for a few years now and one of my writing goals back in the summer of 2017 was to pick my favorite poems from both collections and write a bilingual edition with Spanish versions of those poems and call it Martyrs and Other Creatures of the Abyss. In addition to the poems from Graveyard and Twisted Myths, I would publish and translate 10-20 new poems. Well, as 2018 rolled around a lot of my prose/fiction projects were taking up a huge chunk of my writing time and those 10-20 poems just didn’t get written. And then I had the idea that I wanted to translate ALL of my poetic works into Spanish, not just pick my favorites and discard the rest.
With that came the decision that all of my work thus far needed a serious overhaul.
Some of the poems from Graveyard were written back in 2007 and I’ve definitely changed as a person and a writer since then. Also, Riverkill was my grad school thesis and has been through several extreme transformations since 2012. More than anything, I wanted to make for myself an opportunity where I could say HI to my work again and see if any of my experiences in the last decade could deepen or enhance the conversation between the writer and the poems and if new creations could be born from them.
I haven’t made a lot of changes to the content. A few words here and there, a few lines added, others taken away. The biggest changes you will find with these collections are the titles, the order of the poems, the covers, and where you can find the collections now.
1. Graveyard and Twisted Myths are now combined into one edition titled LUPERCALIA (one of my favorite poems from the collection). Riverkill is now titled THE ECHO OF SOMETHING HITTING (a line from the text).
2. The order of the poems from Graveyard and Twisted Myths has been rearranged to make a more organic flow that blooms with the tone and theme of the title poem, Lupercalia. I want you to visit the places in my poems, see their fallen gods and never forget the value of love.
3. The covers! I had a lot of fun with this. As I now have a job that gives me more expendable income, I can have people design book covers for me and pay them. I got the cover for Lupercalia from https://thebookcoverdesigner.com/ at a very reasonable price with prompt and satisfying customer service. The new cover for The Echo of Something Hitting keeps the same skeletal structure of the previous cover but the title (obviously) and color schemes are different.
Jessica Halsey was born in Arkansas and has lived in Panama and the UK. She earned an MFA in Creative Writing from Goddard College and a BA in Sociology from Randolph-Macon Woman's College. She currently lives in the marshlands of the American South writing poetry and odd fiction. She also has a day job poking people with needles.
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